She Left Her Marker

She left her scent in my nostrils.
It stuck there like an erotic marker
—a cloned sister siren—insisting, beckoning,
drawing me, enthralling me; not allowing
me for a sane moment to forget her.

Copyright © 2006 Robert D. McKinley
All rights reserved.

On A Dixieland Bus - 1950

Little Girl: Mommy?
Mother: Yes?
Little Girl: Why did you just tell someone they can’t sit with us?
Mother: Because she is a black woman and black people are not allowed to sit with white people.
Little Girl: She’s black?
Mother: Yes.
Little Girl: It’s the color thing again?
Mother: Yes.
Little Girl: Is color that important?
Mother: Sometimes.
Little Girl: The color of people is important?
Mother: Yes.
Little Girl: Do black people talk differently?
Mother: Sometimes.
Little Girl: Uncle Alfred talks differently. Is he black?
Mother: Good heavens, no.
Little Girl: Are black people bad?
Mother: No more questions please.
Little Girl: Johnny Russell is bad but he’s not black, right? I mean because he sits on the bus with us sometimes.
Mother: That’s enough.
Little Girl: Mommy?
Mother: Yes?
Little Girl: It’s really hard being blind.
Mother: I know dear.
Little Girl: How will I know when someone is black?
Mother: Don’t worry, dear, I’ll teach you.

Copyright © 2006 Robert D. McKinley
All rights reserved.

His Name Should Be On The Wall

I’m watching television—a Vietnam War documentary. It’s about the cruelty, the insanity of war. People weep. A wife of an American Vietnam War veteran says her husband’s name is not on the Vietnam Memorial in Washington, D.C. She says it should be. She says he went into their garage one day and shot himself and left her a note that said, “I love you, sweetheart, but I can’t take the flashbacks anymore.” So his name should be on the wall, she says. I agree and I sit here and I weep.

Copyright © 2006 Robert D. McKinley
All rights reserved.

Sweet Street Nights

Lyric for an unwritten song ...

Sweet street nights turn off your dark lights
and sing along with me.
Slick city boys hang up your little toys
and sing this song with me.
You’re so way cool, a modern day fool
just lookin’ to break the next rule.

Sweet street nights turn off you’re dark lights
and dance this dance with me.
It’s about clubers and drugers and all kinds of lovers
who think this stuff is all free.
They’re windin’ and grindin’, slippin’ and slidin’
all the time lookin’ but ain’t never findin’.

Hot city girls straighten your pretty curls
and spray on a costume for me.
Show me your assets and tell me your story
while you write this song with me.
It’s about clubers and drugers and all kinds of lovers
who think this stuff is all free.

Copyright © 2006 Robert D. McKinley.
All rights reserved.

why loneliness?

you ask,
why loneliness?
i ask,
why mosquitoes?
or love?
or humans?
are they all the same question?

Copyright © 2006 Robert D. McKinley. All rights reserved.

Have You Seen Me?

Have you seen me? Anywhere?
she asked.
What?
I’ve lost myself and I’m hoping
you know where I am.
Well, you’re here.
You know, right here. Now.
Not really, she said. It’s not me.
It doesn’t feel like me. You know?
I’m sorry.
Thank you ... but will that help?
Where do you guess
you lost yourself?
I’ve been in love …
And?
… and he left.
Oh, I see.
Yes.
Perhaps if you look elsewhere.
Where?
Well ...

Copyright © 2006 Robert D. McKinley. All rights reserved.

I walk around the lake

I walk around the lake to wake up my cells and strengthen my heart and all the other good things walking does. Yet the walk always gives more than that. Just to be inside the unconditioned air is a natural pleasure too often missing from my common day and to socialize with the sights and sounds of nature as both observer and participant is as perfect as it gets when allowed to simply happen.

I wonder if the geese and ducks and gulls walk and paddle and fly for their health? Of course, I think, mostly to accomplish their survival needs, like eating—and that’s for their health. But sometimes they seem to enjoy flying for the fun of it, the joy of it—and to practice. The gulls are especially good flyers—show-offs sometimes, impressive to me, an admiring (envious?) flyer of machines. I often wonder if any of them wonder about us humans.

It's winter. Bare-limbed trees (except the evergreens), display their singularly different, sometimes intricate, silhouettes, their limb structures so clearly displayed against the still-lit, quiet eventide sky, reveal their heritage—their family characteristics.

I am awed by the diversity and beauty of it all even in this small park. Then there is the ever-fascinating activity of people watching ... and sometimes meeting. The park is a good place to visit.

Copyright © 2006
Robert D. McKinleyAll rights reserved.

Your Release Awaits

Unwittingly, though unerringly,
she lives by her script—the coping tapes,
the survival codes, the ones we write
in childhood to get through each day to the next.
Unchallenged, thus unrevised, her script crafts
her future as predictably as we mark
the movement of the stars.

In her early pubescent days—the heavy-burdened days
of her young and tentative womanhood—she sought
the mother-love she's never had from boys whose
nature-driven bodies sought something else.

These collisions of mismatched wills and wiles,
of offers and compromise—acceptance
of disguised, deceptive, and fleeting fulfillment
—refined and sculpted her nature and fate.

She gave the boys what they wanted. Oddly, to her,
at times she enjoyed giving them what they wanted –
and what they gave to her. But when they were done
she was empty again. She did not feel loved.

Now, in her tightly-bound woman world,
romance (as she knows it) abides ever so briefly
to protect her from the certainty of common life,
the reality of change and loss of which she is
most afraid. It is tricky to manage though.
It is increasingly demanding to keep reality at bay.
The pain of unmet expectations in another
ill-conceived, starry-eyed adventure—
one more self-scripted romantic failure,
is a moment of utter, bitter confirmation
that she is surely unworthy of worthy love.

Yet, loyal to script, each painful encounter is new.
She is caught unaware, fully surprised at this great,
awful, unwanted, unearned suffering
of a kind and measure so very familiar to her
should she dare to give it even a passing
sideways glance for an honest moment or two.

For her denial of authorship, the cost is high.
Unremitting tears well up from deep reservoirs
of longing where love so desperately wants to be.

Oh, dear woman, your release awaits you on the
other side of your sorrow, should you choose
to love yourself ... at last.

Copyright © 2006 Robert D. McKinley
All rights reserved.

We are the arrogant animals

We are the arrogant animals, the out-of-step ones—
the ego-driven, tantrum-throwing destructive ones.
We are the prideful animals and the delusional animals all at once.
While a deer is busy being its noninvasive self, we are busy
invading other humans or defending ourselves from human invaders.

At this moment, as I write, somewhere a lion is busy killing
another animal in order to feed itself and its family
while we are busy composing beautiful music and killing
other humans in order to … I’m sorry, why is it we are
always killing other humans?

Of course the Book says that the first son of man murdered
the second son of man. So what did we expect?

Some among us believe we are the guardians of this planet.
They tell us they know what is best for us all—that they know
what fish should live where, and what grass should grow where,
and which humans should live where, and I suspect that soon
when they "evolve" a little more, they will denounce God for
allowing volcanoes to erupt and they will attempt to prevent
Him from doing any more of His great and diverse mischief.

We have had hundreds of thousands of years to improve—
to modify our violent natures—and we have failed miserably
to do so. Yet because we are the delusional animals,
we don’t really think about things like that too often.

Instead, we imagine ourselves to be a species apart—
a non-animal species of an infinitely superior nature.
As proof we direct each other to consider the wonders
of our truly magnificent deeds and accomplishments.
We enshrine our DaVincis and Einsteins in order
to reassure ourselves that we are the intelligent species,
the evolved species, far removed from the animals.
Of course, as needs be, we fail to earnestly consider
the all-too-human contradictions inherent in our
DaVincis and Einsteins. While we loudly and repeatedly
laud the remarkable accomplishments of these icons
of human superiority, we quietly and easily demote their
other contributions — DaVinci’s advanced weaponry designs
and the first most urgent consequence of Einstein’s e = mc2
apocalyptic death and destruction, which proved beyond any doubt
that we are far more efficient killers than all other creatures on this planet.

Yet, in our fleeting moments of unadorned self-appraisal
we wise and superior guardians of the planet are obliged
to accept the unspoiled truth that we can't even make a leaf.

Copyright © 2005 Robert D. McKinley
All rights reserved.